The Planet That Wears Its Heart on Its Face
Showing posts with label psychedelics. Show all posts
Showing posts with label psychedelics. Show all posts

Thursday, February 28, 2019

Rot and Roll: Transiting Pluto Opposing My Natal Sun, 2018-19

It's just another sign of the times, so to speak, that I was so consumed by my corporate job that I thought transiting Pluto had finished opposing my natal Sun for the third and final time last month.

I was so wrong it wasn't funny.

Nope, I am in for two more back-and-forths with Pluto this fall, and as someone with Pluto Rising, you can bet that I'm taking it personally.

My whole sense of "I am"-ness, aka the Sun in astrology, has been annihilated this past year. I keep thinking of that line from William Butler Yeats's masterful poem "The Second Coming" (from which I quoted in my last astrology post from 2016, before my two-plus years of radio silence): "The center cannot hold."

It's not just the obvious challenges of Pluto -- the power-tripping, the greed, the sense of being held down by The Man or Big Brother, the attraction-repulsion to just about everything vaguely interesting, the humorless intensity that makes Having Fun into as much of a challenge as scaling Mt. Everest.

This transit of Pluto has given me 8 cavities in the past year (Capricorn rules the teeth) that I have to get filled next week and will set me back thousands of dollars (even though I was able to get it financed). 8 cavities. How can this be my mouth?! I have about half that number of fillings acquired within my near half century in this incarnation. Can we say the rot has literally set in? Yes, let's.

What else? Well, though my job involves writing, it is about as far from my identity (the Sun) as a writer as I could get, and I find that it has hindered my ability to write For Real. The good stuff, the real stuff, which for me means fiction, poetry, and astrologizing. What I have been writing and so-called proofreading for the past year and a half may be helping some people, but it sure ain't beautiful, and it often feels like a dubious travesty that exists only to make boo coo Delores for the genius who saw a particular market open up (thanks to Resident Trump) and rushed to fill it.

It occurred to me tonight that it is not a coincidence that the Uranus-Neptune conjunction of 1993 fell within a degree of opposing my Sun, so that Pluto has been going back and forth over that point for the past year or so. 1993 was such a crisis-filled year for me that I suppose that I am lucky to have survived it. But in a strange, subtle way, I didn't.

That was the year I derailed myself from my trajectory -- MFA degree, English and/or creative writing professor, making good on my Golden Girl promise as an official adult.

I jumped because the alternative was to remain in Boston, where burglars broke into my nice little studio apartment in the Back Bay and stole my jewelry and my stash, a splinter infected my heel, and my middle-aged, married, lush of a writing professor (who at that time was also the head of the MFA program and editor in chief of a prominent literary magazine) hit on me 25 years before the #metoo movement.

And where did I land? In the heroin-chic grunge scene of Seattle to collide with fellow Pluto Rising Kurt Cobain? Nope, I landed in the house of my suburban childhood, just outside the only city that could just go by "the city" and you would know which one I was referring to, back to my screwed-up parents who showed not a drop of sympathy for what I had been through. I was also seeing a shrink who was so harmful I complained about him to the National Association of Shrinks, which of course didn't take me seriously. Hardly the best milieu in which to lick my wounds, so after some gratuitous verbal abuse from my father, who didn't like the look on my face one fine November day, I mainly stayed with my best (and only) friend, a much older man whom I'd met at a writing program two years earlier and had turned me on to astrology. He lived in a rundown hovel in the East Village when Alphabet City was still somewhat dangerous, and I got into shrooms and rediscovered my passion for drawing, which helped give me something resembling perspective and hope instead of giving up when both MFA programs I'd applied to rejected me the following spring, and I did not mail a piece of shit to my undergrad writing prof who'd refused to write me a new set of recommendations on the grounds that I had lost whatever was "goodhearted and true" about my prior work.

And speaking of work that year...I didn't, unless you count the handful of astrology charts I did that year for the first of my clients, mostly women from the baby boom generation who were irked yet intrigued that a so-called slacker like me, about half their age, could be so insightful. Would you count that as work? No, I probably wouldn't either -- not anymore, at least. That alone shows me how far I've fallen.

Clearly, Pluto has been stirring up all this long-time-ago shit, of my first year out of college, the year I veered away from literary academia, the year I first became aware that I was in something called Generation X (up till then, I thought only baby boomers had a generation) yet set apart from it (Uranus-Neptune transit opposing my Sun). A quarter of a century later, determined to be autonomous and not depend on anyone ever again, to live in the city, my city, on my terms, I have made a chilling discovery:

I still have not found any measure of peace or true self-acceptance. I try to count my blessings every day, because I know how much emptier and more awful life would be without a home, love (even if it is fraught), my cats, and my few real friends. Yet at the heart of everything is my stomach-sinking feeling that I am making a living, but not truly living.

If life is suffering, I must find something in this life that is worth suffering for.

Do you hear me, Pluto? If you can't throw me a bone, send me a sign to help me find my way back to the self who still had hope (and an hourglass figure to boot).

Sunday, August 16, 2015

The Astrology of Woodstock

Wishing a very groovy 46th Solar Return to the Woodstock Music & Art Fair, which occurred from August 15, 1969, to the morning of August 18, in Bethel, New York.

Although this is not a silver, golden (or Acapulco Gold), or even an anniversary ending in a zero, Woodstock's 46th birthday happens to mirror its birth day not only because it also falls on a weekend, but because the Moon and Mercury are both posited in Virgo. In fact, today Mercury is exactly conjunct Woodstock's Mercury at 14 degrees of Virgo.

I base Woodstock's astrology chart on the time of its first performance: at 5:07 p.m., folk singer Richie Havens began playing. Havens, who was not supposed to go on first, stayed onstage for nearly two hours, as other acts were running late due to an unforeseen traffic nightmare, as no one predicted that so many flower children would show up (just as no one predicted that it would turn into a free concert, due to insufficient security in the form of widely spaced gates that were easily gotten around before being knocked down altogether). In the process, Havens exhausted his repertoire yet managed to improvise a new song ("Freedom," inspired by the old spiritual "Motherless Child," also performed by the band Sweetwater who was supposed to go on first). Havens had 5'05" degrees of Libra Rising -- the exact degree, to the very minute, of Woodstock's Jupiter, planet of good fortune and expansion. Havens also had a Scorpio Moon, echoed by a close, approaching Moon-Pluto conjunction in Woodstock's chart, but more on this in a bit.

On Woodstock's Ascendant is 3 degrees of Capricorn, making Saturn the ruler of the chart; Capricorn is an Earth sign, and Saturn is placed at 8 degrees of fellow Earth sign Taurus in the 4th House of home, forming a strong Earth trine. In rock 'n' roll terms, in Joni Mitchell's ode to the festival, "Woodstock," this manifested in "going to camp out on the land [...] to get my soul free."

For obvious reasons, farms are related to the Earth element, and by now it is common knowledge that dairy farmer Max Yasgur saved Woodstock's tofu bacon by agreeing to provide a venue for a festival that lost its original venue (in the very un-hippie-sounding Wallkill) just one month before the festival. To go along with this Earth-element theme, there were many "earth mothers" of both genders at Woodstock who nurtured and took care of those people who were having bad trips on the brown acid, and "fertility goddesses" who fulfilled many a hippie's wettest dream.

What is less commonly known is the unlovely side of Capricorn Rising and Saturn in Taurus rearing its head in the form of greed and shady deals.

Many top performers insisted on being paid up front and/or not filmed, or else they wouldn't go on. (And if one of the promoters, who had a million-dollar trust fund to put up as collateral, had not been able to get to the bank in time for Saturday night's highly anticipated, superstar-studded performances, the festival would have devolved into complete chaos, because the music would have stopped altogether.)

Max Yasgur, who was paid $75,000 for leasing his land, was told to expect a mannerly three-day festival of no more than 50,000 people, when the four "Woodstock Ventures" promoters (three suits, one hippie) had already sold 150,000 tickets (which cost $18, about $100 in 2015 dollars) and were anticipating another 100,000 concertgoers to show up (when it was, in the words of Joni Mitchell, "half a million strong" by the time August 15 rolled around).

There was only 1 porta-potty per 10,000 attendees, and Saturday's rainstorm transformed those few porta-potties into poop soup. Food from Woodstock Ventures ran out on the first day of the festival; "square" locals, many of whom were inconvenienced due to the abandoned cars clogging the roads within 10 miles of the festival site, took pity on the hungry hippies to contribute sandwiches. Food was also airlifted in from (ironic drum roll, please) the local air force base.

I can safely say that this dark side of Capricorn Rising and Saturn in Taurus did not ruin Woodstock for most of those in attendance (though many who were there do not remember the particulars of that weekend -- hallmark of a Sun-Neptune square) because of the Ascendant-Saturn trine; it is the best aspect to have, period. Also, the square between the Ascendant and Jupiter-Uranus in early Libra contributed "good vibes" (Jupiter) and electricity (Uranus) once the Moon entered Libra on the second day of the festival. Interestingly, the Moon would also have conjuncted the majority of the audience's Neptune (which was in Libra from 1943 to 1957); Neptune rules music as well as psychedelic drugs.

Yet during the first day of Woodstock, the Moon was still in Virgo. You would be forgiven for thinking that the sign of the prim, proper Virgin is an unlikely, if not downright inauspicious, lunar placement for a festival devoted to the unholy trinity of sex, drugs, and rock 'n' roll. What must be considered is that when Richie Havens, the first performer up at bat, began to play at 5:07 p.m., the Moon was within a degree of an approaching conjunction to Pluto, which is all about intense, often illegal experiences that are more associated with the Water sign of Scorpio.

Not only does Woodstock have a Moon-Pluto conjunction, it is placed, along with a critical-degree Leo Sun and Virgo Mercury, in Woodstock's 8th House, which transports you right into the Underworld and other Plutonian realms (e.g.: mud, poop). Four planets in the 8th House is a Plutonian powerhouse!

As I mentioned earlier, Havens had a Scorpio Moon, which is similar to a Moon-Pluto conjunction. As for the younger teenagers (born between 1952-55) in attendance, the Sun would have passed over their Plutos in Leo during the Woodstock festival; I would imagine that many of these underage attendees were runaways or simply lied to their parents about where they were going that weekend.

All three outer planets have to do with the collective, aka humanity, or at the very least, a huge crowd of people: Uranus, the collective mind and mutation; Neptune, the collective imagination and dream; Pluto, the collective birth, death, and rebirth. It is indeed highly significant that the Moon passed over two out of the three outer planets during the Woodstock festival, adding emotional resonance and truly providing a home (ruled by the Moon) and sense of connection to many of those in attendance.

I do not know whether Joni Mitchell was into astrology, but her lines "We are stardust / We are golden" from her song "Woodstock" is a beautiful metaphor for the Pluto-in-Leo generation that dominated the festival. Despite the ensuing "Big Chill" decade of the 1980s that turned many of the Woodstock generation into smarmy, judgmental yuppies despised by my own rising "X" generation, I cannot forget how much I wished, as a teenager trapped in Reagan-era suburbia, that I could have been a hippie and hitched to Yasgur's farm to listen to some of the bands I was starting to love, including Jimi Hendrix, Janis Joplin, and the Jefferson Airplane...to have my budding mind blown and my body caked with mud.